Mane Katz 4 Autographs on photos of his pictures and sculpture, Marc Vaux, Paris

Description

Mane Katz 4 Autographs on photos of his pictures and sculpture
Made by French photographer Marc Vaux with his studio stamp
1960s,
Size: ca. 23 x 18 cm.
These items come from archive of Gabriel J.Talphir
TALPHIR, GABRIEL JOSEPH (1901–1990),
Hebrew art critic and poet. Talphir was born in Stanislav, Galicia, and after teaching in secondary schools in Vilna and Zamosc immigrated to Palestine in 1925, and from 1932 became editor of Gazit, a periodical for art and literature.
He published poems in Israel’s newspapers and literary journals, as well as essays and articles on literature and art, mostly in Gazit, perhaps the first periodical in Hebrew devoted
MARC VAUX
(born 1932 Swindon) is a British artist who rose to prominence in the 1960s. His work was included in the seminal Situation exhibition of 1960 alongside Robyn Denny, William Turnbull Bernard Cohen among others. This exhibition was a direct reaction by British abstract artists to the recent exhibitions in London of the American Abstract Expressionists in particular the Tate’s 1959 exhibition The New American Painting. Although originally headed for a career in Chemistry, Vaux eventually studied at the Slade School of Fine Art from 1957 to 1960 where he was awarded a Boise traveling scholarship which allowed him to travel in Italy, and later to work at the Jean Ponsa lithographic printing studio in Paris.
In 1986 after a long teaching career he was appointed Head of Painting at the Central/St Martins College of Art and Design in London where he stayed until he retired in 1989 to concentrate full time on painting.
Vaux’s work has variously been described as minimalist and constructivist although since his primary interest is in colour and light he has more in common with the American west coast artists than the New York minimalists.
It [colour] is known to have a direct effect upon the central nervous system/human sensibility, arguably the most effective modifiers of human response, over sound and touch. It is dynamic – dependent on degree of colour, light, surrounding colours. Given the facts it is surprising it has taken so long to come to the position of recognising the effective power of colour alone – the endless potential of colour alone to communicate, affect and modify response.. it can be a pure visual experience equivalent to any other (experience). The nearest equivalent would be the sound of music. I see no reason why colour can’t equate with melody and be as memorable. After all Albers wrote poems to equate with his paintings. Marc Vaux.
In 2005 a monograph on Marc Vaux written by Vaux’s long term supporter Norbert Lynton was published by 21 Publishing.
The Tate Gallery holds a good collection of Vaux’s work from 1959 to the present day. The collection is currently on display at Tate Britain.
Vaux’s first commercial gallery exhibition was at the Grabowski Gallery in London with his then wife Tess Jaray. He was subsequently represented by the Axiom Gallery, Anderson O’Day and then the Redfern Gallery, since 1998 Marc Vaux has been represented by the London art dealer Bernard Jacobson and has had regular exhibitions there.